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  1. #2426
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    “I thought, What a miserable life he's had, having to hide his religion, his name, just to get a job
    as a driver—and he is a good driver, no question of it, a far better one than I will ever be.Part of
    me wanted to get up and apologize to him right there and say, You go and be a driver in Delhi.
    You never did anything to hurt me. Forgive me, brother.

    I turned to the other side, farted, and went back to sleep.”
    ― Aravind Adiga, The White Tiger

  2. #2427
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    “Says O'Sullivan to me, "Mr. Fay, I'll have a word wid yeh?" "Certainly," says I; "what can I do for you?" "Sell me your sea- boots, Mr. Fay," says O'Sullivan, polite as can be. "But what will you be wantin' of them?" says I. "'Twill be a great favour," says O'Sullivan. "But it's my only pair," says I; "and you have a pair of your own," says I. "Mr. Fay, I'll be needin' me own in bad weather," says O'Sullivan. "Besides," says I, "you have no money." "I'll pay for them when we pay off in Seattle," says O'Sullivan. "I'll not do it," says I; "besides, you're not tellin' me what you'll be doin' with them." "But I will tell yeh," says O'Sullivan; "I'm wantin' to throw 'em over the side." And with that I turns to walk away, but O'Sullivan says, very polite and seducin'-like, still a-stroppin' the razor, "Mr. Fay," says he, "will you kindly step this way an' have your throat cut?" And with that I knew my life was in danger, and I have come to make report to you, sir, that the man is a violent lunatic.”
    ― Jack London, The Mutiny of the Elsinore

  3. #2428
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    “Sometimes driven aground by the photon storms, by the swirling of the galaxies, clockwise and counterclockwise, ticking with light down the dark sea-corridors lined with our silver sails, our demon-haunted sails, our hundred-league masts as fine as threads, as fine as silver needles sewing the threads of starlight, embroidering the stars on black velvet, wet with the winds of Time that go racing by. The bone in her teeth! The spume, the flying spume of Time, cast up on these beaches where old sailors can no longer keep their bones from the restless, the unwearied universe. Where has she gone? My lady, the mate of my soul? Gone across the running tides of Aquarius, of Pisces, of Aries. Gone. Gone in her little boat, her nipples pressed against the black velvet lid, gone, sailing away forever from the star-washed shores, the dry shoals of the habitable worlds. She is her own ship, she is the figurehead of her own ship, and the captain. Bosun, Bosun, put out the launch! Sailmaker, make a sail! She has left us behind. We have left her behind. She is in the past we never knew and the future we will not see. Put out more sail, Captain for the universe is leaving us behind…”
    ― Gene Wolfe, The Citadel of the Autarch

  4. #2429
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    “It was the short men that caused all the trouble in the world.”
    ― Ian Fleming, Goldfinger

  5. #2430
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    “You [demagogues] are like the fishers for eels; in still waters they catch nothing, but if they thoroughly stir up the slime, their fishing is good; in the same way it's only in troublous times that you line your pockets.”
    ― Aristophanes, The Knights

  6. #2431
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    “Go on,” he offered magnanimously. “Feel free to piss on yourselves and
    cower helplessly.”
    Gods, sometimes his generosity overwhelmed him.”
    ― G.A. Aiken, What a Dragon Should Know

  7. #2432
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    The whole scene was macabre and livid, as if El Greco had done a painting by moonlight of an exhumed graveyard in a burning town.

    It was not a large room, perhaps sixty foot square. There were about fifty tables and the customers were packed in like black olives in a jar. It was hot and the air was thick with smoke and the sweet, feral smell of two hundred negro bodies. The noise was terrific - an undertone of the jabber of negroes enjoying themselves without restraint, punctuated by sharp bursts of noise, shouts and high giggles, as loud voices called to each other across the room.
    Live and Let Die (James Bond #2)(7) by Ian Fleming

  8. #2433
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    “I have discussed this with him and he points out that the Rolex Oyster Perpetual weighs about six ounces and would appreciably slow up the use of his left hand in combat. His practice, in fact, is to use fairly cheap, expendable wrist watches on expanding metal bracelets which can be slipped forward over the thumb and used in the form of a knuckle-duster, either on the outside or the inside of the hand.”
    ― Ian Fleming

  9. #2434
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    “1
    Cain lifts Crow, that heavy black bird
    and strikes down Abel.

    Damn, says Crow, I guess
    this is just the beginning.

    2
    The white man, disguised
    as a falcon, swoops in
    and yet again steals a salmon
    from Crow's talons.

    Damn, says Crow, if I could swim
    I would have fled this country years ago.

    3
    The Crow God as depicted
    in all of the reliable Crow bibles
    looks exactly like a Crow.

    Damn, says Crow, this makes it
    so much easier to worship myself.

    4
    Among the ashes of Jericho,
    Crow sacrifices his firstborn son.

    Damn, says Crow, a million nests
    are soaked with blood.

    5
    When Crows fight Crows
    the sky fills with beaks and talons.

    Damn, says Crow, it's raining feathers.

    6
    Crow flies around the reservation
    and collects empty beer bottles

    but they are so heavy
    he can only carry one at a time.

    So, one by one, he returns them
    but gets only five cents a bottle.

    Damn, says Crow, redemption
    is not easy.

    7
    Crow rides a pale horse
    into a crowded powwow
    but none of the Indian panic.

    Damn, says Crow, I guess
    they already live near the end of the world.”
    ― Sherman Alexie

  10. #2435
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    “Time can play all sorts of tricks on you. In the blink of an eye, babies appear in carriages, coffins disappear into the ground, wars are won and lost, and children transform, like butterflies, into adults. That's what happened to me. Once upon a time, I was a boy named Hugo Cabret, and I desperately believed that a broken automaton would save my life. Now that my cocoon has fallen away and I have emerged as a magician named Professor Alcofrisbas, I can look back and see that I was right. The automaton my father discovered did save me. But now I have built a new automaton. I spent countless hours designing it. I made every gear myself, carefully cut every brass disk, and fashioned every bit of machinery with my own hands. When you wind it up, it can do something I'm sure no other automaton in the world can do. It can tell you the incredible story of Georges Melies, his wife, their goddaughter, and a beloved clock maker whose son grew up to be a magician. The complicated machinery inside my automaton can produce one-hundred and fifty-eight different pictures, and it can write, letter, by letter, an entire book, twenty-six thousand one hundred and fifty-nine words. These words.

    THE END”
    ― Brian Selznick, The Invention of Hugo Cabret

  11. #2436
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    “For those who believe in God, most of the big questions are answered. But for those of us who can't readily accept the God formula, the big answers don't remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command nor faith a dictum. I am my own god. We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us.”
    ― Charles Bukowski

  12. #2437
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    “We're all going to die, all of us, what a circus! That alone should make us love each other but it doesn't. We are terrorized and flattened by trivialities, we are eaten up by nothing.”
    ― Charles Bukowski

  13. #2438
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    “those who escape hell
    however
    never talk about
    it
    and nothing much
    bothers them
    after
    that.”
    ― Charles Bukowski

  14. #2439
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    “It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is well done.”
    ― Vincent van Gogh

    “I dream my painting and I paint my dream.”
    ― Vincent van Gogh

    “Normality is a paved road: It’s comfortable to walk, but no flowers grow on it.”
    ― Vincent van Gogh

  15. #2440
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    “Words weren’t dull, words were things that could make your mind hum. If you read them and let yourself feel the magic, you could live without pain, with hope, no matter what happened to you.”
    ― Charles Bukowski, Ham on Rye

  16. #2441
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    “That way I wouldn’t have to see the guys in their walking shorts. They looked as if nothing had ever touched them—all well-mothered, protected, with a soft sheen of contentment. None of them had ever been in jail, or worked hard with their hands, or even gotten a traffic ticket. Skimmed-milk jollies, the whole bunch.”
    ― Charles Bukowski, Women

  17. #2442
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    “I closed my eyes and listened to the waves. Thousands of fish out there, eating each other. Endless mouths and assholes swallowing and shitting. The whole earth was nothing but mouths and assholes swallowing and shitting, and fucking.”
    ― Charles Bukowski

  18. #2443
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    “I do not think it was made in six days, nor in ten thousand years, nor ten billions of years, Nor plann'd and built one thing after another as an architect plans and builds a house. I do not think seventy years is the time of a man or woman, Nor that seventy millions of years is the time of a man or woman, Nor that years will ever stop the existence of me, or any one else.”
    ― Walt Whitman, Leaves of Grass

  19. #2444
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    “The truth, he thought, has never been of any real value to any human being- it is a symbol for mathematicians and philosophers to pursue. In human relations kindness and lies are worth a thousand truths.”
    ― Graham Greene, The Heart of the Matter

  20. #2445
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    “Grown-ups never understand anything by themselves, and it is tiresome for children to be always and forever explaining things to them”
    ― Antoine de Saint-Exupéry

  21. #2446
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    “Be kind, for everyone you meet is fighting a hard battle.”
    ― Socrates

  22. #2447
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    “He suddenly recalled from Plato's Symposium: People were hermaphrodites until God split then in two, and now all the halves wander the world over seeking one another. Love is the longing for the half of ourselves we have lost.”
    ― Milan Kundera, The Unbearable Lightness Of Being

  23. #2448
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    “Doubt as sin. — Christianity has done its utmost to close the circle and declared even doubt to be sin. One is supposed to be cast into belief without reason, by a miracle, and from then on to swim in it as in the brightest and least ambiguous of elements: even a glance towards land, even the thought that one perhaps exists for something else as well as swimming, even the slightest impulse of our amphibious nature — is sin! And notice that all this means that the foundation of belief and all reflection on its origin is likewise excluded as sinful. What is wanted are blindness and intoxication and an eternal song over the waves in which reason has drowned.”
    ― Friedrich Nietzsche, Daybreak: Thoughts on the Prejudices of Morality

  24. #2449
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    “We are the hollow men
    We are the stuffed men
    Leaning together
    Headpiece filled with straw. Alas!
    Our dried voices, when
    We whisper together
    Are quiet and meaningless
    As wind in dry grass
    Or rats' feet over broken glass
    In our dry cellar
    Shape without form, shade without colour,
    Paralysed force, gesture without motion;"

    - The Hollow Men
    ― T.S. Eliot, Poems: 1909-1925

  25. #2450
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    “I have a friend who's an artist and has sometimes taken a view which I don't agree with very well. He'll hold up a flower and say "look how beautiful it is," and I'll agree. Then he says "I as an artist can see how beautiful this is but you as a scientist take this all apart and it becomes a dull thing," and I think that he's kind of nutty. First of all, the beauty that he sees is available to other people and to me too, I believe. Although I may not be quite as refined aesthetically as he is ... I can appreciate the beauty of a flower. At the same time, I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions inside, which also have a beauty. I mean it's not just beauty at this dimension, at one centimeter; there's also beauty at smaller dimensions, the inner structure, also the processes. The fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting; it means that insects can see the color. It adds a question: does this aesthetic sense also exist in the lower forms? Why is it aesthetic? All kinds of interesting questions which the science knowledge only adds to the excitement, the mystery and the awe of a flower. It only adds. I don't understand how it subtracts.”
    ― Richard P. Feynman

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