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Thread: Classic Movies

  1. #26
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    Post 21

    Saving Private Ryan

    I, Legend (written in 1959)

    Titanic

    Castaway

    Road to Perdition

    Dead Poets Society

    Pulp Fiction


    Just about anything with Hanks, Damon, Robin Williams and Washington in.



    Like BC, 'Bad Day at Black Rock' one of my favourites.

    Great actors around then, Bogart, Tracey, Gable, Stewart, Grant.

  2. #27
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    A couple of pre-70s

    Battle for Algiers (if Frenchies are allowed)
    12 Angry Men
    Night of the Hunter
    Rosemary's Baby
    Ben Hur

  3. #28
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    Quote Originally Posted by alwarner View Post
    I just felt that it kind of detracted from the suspense a little bit. If you compare it to Zodiac (some people on IMDB say that Fincher was influenced my memories and you can see the similarities, but they are similar cases in certain respects) which is about the same length and on similar subject matter, I thought that was perfect.

    I'm not saying that it wasn't a superb film or anything like that, it didn't drag, it just started off so well that in it's quieter moments it wasn't quite as good. Then again it's set over a long period of time...

    What do I know anyway, I'm a none paying punter!
    Ah, you'll see that I edited my post - Now I think about it, I'm not at all sure...I'll have to watch it again....

  4. #29
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    If you want a good, underappreciated western, try 'One Eyed Jacks' with Marlon Brando.

  5. #30
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    1959: Some Like it Hot with Marilyn Monroe, Tony Curtis and Jack Lemmon...has to be in the classic collection

  6. #31
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    This thread is on fire!



    On Golden Pond

    The Boys in Company C

  7. #32
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    Classics:

    Cool Hand Luke

    The Great Escape

    Birdman of Alcatraz

  8. #33
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    Classics:

    Just as a comment after having watched a slew of old movies (Post #4) recently:

    Everybody smokes - I mean EVERYBODY.

    All the men wear jackets and ties - no matter what they're doing.

    All the women's hair is so hair sprayed that it looks as if it would shatter if hit with a hammer.

    Just saying..........

  9. #34
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    Every kiss is close mouthed too.

  10. #35
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    Everyone drinks spirits. A LOT of spirits.

  11. #36
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    Rich people are always shady.

  12. #37
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    Some decent films of recent years...

    Good Will Hunting

    Philadelphia

    Awakenings

    The Green Mile

    What's Eating Gilbert Grape




    And older ones...

    One Flew Over the Cuckoo's Nest

    How Green Was My Valley

    Roman Holiday

    Catch 22

    Raging Bull

    Breakfast at Tiffany's

    Midnight Cowboy
    Last edited by youneverknow; 27-09-2013 at 03:39 PM.

  13. #38
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    Why no comedy ?
    classics like
    Blazin Saddles
    Police squad
    Airplane
    hot shots etc
    Nobody like a good giggle ?

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    Quote Originally Posted by Davis Knowlton View Post
    Classic:

    Almost forgot "Zulu", the first film appearance of Michael Caine. In fact, it might be perfect for this rainy afternoon.
    and of course The man Who would be King.

    mentioned on another thread just bought High Noon
    Wild Bunch would be good methinks
    Street Car named Desire?

    plus: the Bogies


    Casablanca
    Maltese Falcon
    African Queen
    Caine Mutiny...etc etc...

    The Man Who Never Was
    Elephant Walk
    Dam Busters

    ..frick I should live so long..lol

    just watched what I think was a remake of Million Dollar Baby...Girl Boxer.story

  16. #41
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    Oldies comedy makes me think of Jerry Lewis.

    Nutty Professor

    It's a Mad Mad Mad World

    I think he was often in movies with Dean Martin. There's got to be some other good Jerry Lewis films.



    That reminds me of The Absent-minded Professor starring the father from My Three Sons.


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    Quote Originally Posted by Thetyim View Post
    Last week I downloaded and watched
    Les Vacances de Monsieur Hulot
    It's a 1953 B&W movie and was quoted by Rowan Atkinson as being the film that inspired him to make Mr Bean.
    Watch it and you will see why.
    Jacques Tati films are great ! If you liked Monsieur Hulot's Holiday, take a look at Playtime before you view the other Tati films. It also features Monsieur Hulot.



    Play Time is one of the most exuberant, free-spirited, formally playful tributes imaginable to the spirit of invention and humor that leads people to make their own fun in the most unlikely of contexts. Director Jacques Tati constructed a formalist masterpiece in which characters, story, and dialogue are all but absent. The film takes place in a gray urban center, a prototypical modern city — it's meant to be Paris, but it hardly matters, because as Tati notes in a sly joke involving some travel posters, globalization and industrial progress are eliminating the differences between cities.
    As a group of American tourists arrive, taking snapshots of office blocks while ignoring the historical Paris landmarks (which show up from time to time as ghostly reflections in highly polished windows), Tati's Monsieur Hulot character wanders aimlessly through a corporate maze, baffled by the antiseptic neatness he encounters all around him.
    With the film's spare dialogue almost entirely relegated to the level of background chatter with little meaning, Tati allows his images to carry the film's subtle but often hilarious humor. A businessman's precise, choreographed movements take on syncopated musical rhythms as he goes about his routine. The white flaps on a nun's habit flutter like the wings of a seagull as she walks. An apartment block is turned into a cutaway Brechtian stage like the kind Godard would later employ in Tout Va Bien; Tati uses this setup for a series of deadpan, entirely silent gags about the conformity and complacency of modern families, who settle into box-like homes and stare at their walls to watch TV.

    But the film's centerpiece is undoubtedly an extended sequence set at the opening night of a high-class restaurant where the staff and designers are still putting the finishing touches on the place even as the first customers arrive. As the night goes on, the restaurant's fancy façade begins to disintegrate, as one mishap after another shatters its fragile and counterintuitive construction: the stylish chairs leave crown-shaped indentations in the customers' backs; the wooden designs above the bar block the view between the bartender and his patrons; the air-conditioning unit is located in a huge pillar that is perpetually in the way of the maître d'. Finally, Hulot himself triggers the worst of the disasters, accidentally pulling down a large section of the ceiling, which has the effect of sectioning off one area of the restaurant into an ad hoc VIP section with a boorish American tourist playing bouncer. The more the restaurant falls apart, the more the people there seem to enjoy themselves, and the staid, ordinary dinner transforms into a wild, frenetic party with a packed dance floor and little pockets of merry-making scattered around the room.
    Tati captures everything with his long shots, packing the frame with people, all of whom have little bits of business and subtle sight gags: there's too much to focus on at any given moment, since literally every shot is packed with visual humor and miniature narratives playing out on the fringes of the image. The cumulative effect can't help but put a grin on anyone's face, as these anonymouse city-dwellers take such great delight in subverting and destroying the pre-packaged entertainment parceled out to them, instead making their own fun by playing in the wreckage of the modern world.
    Last edited by Latindancer; 27-09-2013 at 06:10 PM.

  18. #43
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    "Zulu", the first film appearance of Michael Caine

    In fact his first appearance was in " A hill in Korea" aka "Hell in Korea" ( 1956)

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    Quote Originally Posted by Lambik View Post
    "Zulu", the first film appearance of Michael Caine

    In fact his first appearance was in " A hill in Korea" aka "Hell in Korea" ( 1956)
    Whoops. His 2nd then?

  20. #45
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    You boring old farkers...

    Here's a couple going thru the ages:

    African Queen.
    All the Road to films...
    The original (not the original original from 1929..) 4 Feathers. A very fine watch indeed.



    Warriors.
    Wonderers (no, not that one...).



    The Elephant Man and 1984 are 2 good John Hurt films.

    The original Get Carter with Michael Cain.

    Last edited by Bettyboo; 27-09-2013 at 07:26 PM.
    Cycling should be banned!!!

  21. #46
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    Any [and most] Marx Brothers films.

    My understand that they were allowed to improvise [because they could].....as 85% of their film projects were of this nature.

    Their insightful and twisted humour still holds up today.

  22. #47
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    Quote Originally Posted by The Big Fella
    Why no comedy ? classics like Blazin Saddles Police squad Airplane hot shots etc Nobody like a good giggle ?
    Because American comedy ain't funny. Classic UK is 'Pink Panther'.

  23. #48
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    Quote Originally Posted by Rural Surin
    Their insightful and twisted humour still holds up today.
    It reflects in your posts. Along side DrAndy's. Both old fashion and outdated.

  24. #49
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    Any film starring Michael Caine.

  25. #50
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    Going the Clint route tonight, watching A Few Dollars More at the moment....

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