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  1. #1
    Thailand Expat tomcat's Avatar
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    King's Batiks Exhibition

    The King’s Batiks
    As featured in HALI 199, Spring 2019

    Between 1871 and 1901, King Chulalongkorn of Siam (Thailand) visited the Indonesian island of Java three times. On each occasion he sought out, acquired and documented a large number of cotton batik textiles, of which 307 constitute the collection now under the care of the Bureau of the Royal Household.

    This previously unknown and unseen collection,is the theme of a new , highly significant exhibition at the Queen Sirikit Museum of Textiles in the Grand Palace, Bangkok
    King Chulalongkorn’s natural curiosity, knowledge of Southeast Asian history and religion, and interest in both indigenous culture and western technological advances made him an active participant in his tours, not merely a passive observer. Over the course of his three trips he noted in his diaries much about both European and Javanese ways of doing things and recognised the shared cultural heritage of Thais and Javanese. Fortunately, the king also developed a love for the art of batik, leading to his desire to create a collection that displays the remarkable diversity of this quintessentially Javanese art form. In this he amply succeeded, leaving future generations an extraordinary legacy.

    This images and descriptions are drawn from the exhibition catalogue, A Royal Treasure: Javanese Batik from the Collection of King Chulalongkorn of Siam, by Dale Carolyn Gluckman, Sarttarat Muddin, Judi Achjadi and Sandra Niessen [In Press]. Information on the batiks is adapted from Judi Achjadi’s descriptive texts. The exhibition is on view at the Queen Sirikit Museum of Textiles, Grand Palace, Bangkok until 31 May 2021

    Please see for details.

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    Majestically enthroned amid the vulgar herd

  2. #2
    Isle of Discombobulation
    Chittychangchang's Avatar
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    There is nowhere in the world where the art of batik has been developed to the highest standards as in the island of Java in Indonesia. All the raw materials for the process are readily available - cotton and beeswax and many plants from which the dyes are made.
    It is not known when the batik was first made but the traditional skills were particularly well developed over hundreds of years in Central Java around Yogyakarta and Solo under the patronage of the Sultan and his court. Designs were copies and in some cases the cloths could only be used by certain people or on certain occasions. The royal families had their own proscribed designs. On the coast designs were developed differently, influenced by settlers from China, the Dutch colonists and traders from India and Arabia.
    Two methods of applying wax are used:
    1The cloth is hung over the frame and the design is drawn on with a canting, a small copper cupped spout which is attached to a bamboo or wooden handle. The canting is dipped into a pot of hot wax and then allowed to flow through the spout on to the fabric. On thicker fabrics the waxing is carried out on both sides. This process is carried out by the women.

    Javanese woman working using a canting

    2The cloth is stretched on to long tables and a cap or copper stamping tool is used. This is dipped into a pan of hot wax and pressed on to the fabric. This enables the design to be repeated many times and is usually done on both sides of the fabric by men. This is a much faster method of wax application.

    Javanese man using a copper stamp

    The traditional dyes used are deep indigo blues and soga browns and these are still the characteristic colours for work in central Java. Towards the end of the 19th century chemical dyes were introduced in the coastal regions and as a result of this the colours are usually brilliant and more varied.
    The final hand made lengths of cloth, known as Tulis, may take several months to produce and are consequently very expensive. Everywhere in Indonesia people still wear clothing made from batik cloth and the tourist industry has opened up a new market for cheap batik clothing and pictures.
    Reproduced from The Art of Batik, written and published by The Batik Guild, 1999

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