Actor Gus Mercurio dies aged 82
One of Australian television and film's great characters, Gus Mercurio, has died in a Melbourne hospital after complications during surgery.
He was 82.
Born in Milwaukee, Wisconsin, Mercurio was also a professional boxer and qualified referee, marine and chiropractor.
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When he arrived in Australia, his raspy voice and natural acting talents brought him to the attention of Australian television studio networks.
Mercurio starred in several Australian TV series, including Cash and Company, Tandarra and the miniseries Power Without Glory.
He played guest roles in Australian TV police series, including Homicide, Division 4 and Matlock Police.
Film appearances include The Blue Lagoon, The Man from Snowy River, Turkey Shoot, Crocodile Dundee II, Return to the Blue Lagoon and Doing Time for Patsy Cline.
Mercurio was the father of dancer and actor Paul Mercurio, who starred in the hit 1992 film Strictly Ballroom.
Paul on Tuesday posted a message on his website before the "fairly major" operation that read.
It read: "My dad is at this very moment laying on a table in a hospital getting cut open to fix an aneurysm in his chest".
"Spare a thought for him if you can. He is a tough old bugger so he should be fine, however he is getting on - 82 and has become a little frailer over the last few years."
Mercurio was the president of the Australian Boxing Hall of Fame.
He is survived by his second wife Rita and six children.
Captain Beefheart Obituary
Captain Beefheart
Captain Beefheart, who died on December 17 aged 69, was the creative force behind what was perhaps the most strikingly original rock album to come out of America in the 1960s; he later forged a successful career as an abstract painter.
https://teakdoor.com/images/imported/2010/12/1243.jpg Captain Beefheart Photo: REX
12:32PM GMT 19 Dec 2010 14 Comments
His masterpiece was Trout Mask Replica, the third album from Captain Beefheart and his Magic Band, which was released in 1969. A work that defies easy categorisation, its 28 sprawling tracks retain something of Beefheart’s youthful obsession with the blues. But with individual instruments playing often fractured atonal and polyrhythmic lines in opposition to one another, the influence of free jazz exponents such as Ornette Coleman and John Coltrane is unmistakable.
The whole is rooted by the Captain’s extraordinary foghorn voice (he claimed a seven-and-a-half-octave range), his surreal lyrics, rumbustious harmonica and completely untaught saxophone solos. Song titles include Neon Meate, Octofish and Ant Man Bee.
The album met with public indifference and failed to chart. The Rolling Stone rock critic Langdon Winner, however, called it “the most astounding and important work of art ever to appear on a phonograph record”. Another critic wrote: “It’s a Beefheart trademark that his music sounds like nobody’s playing in time or in tune with each other.”
In fact, the arrangements were meticulously conceived and very difficult for Beefheart’s sidemen to master. The result was utterly uncompromising and distinctive. According to the respected British critic John Peel, Beefheart was “rock music’s only true genius”.
Captain Beefheart was born Donald Glen Vliet (he later styled himself Don Van Vliet) on January 15 1941 to impoverished parents at Glendale, California. He had little time for formal education, claiming later: “If you want to be a different fish, you got to jump out of the school.” But from an early age he displayed artistic ability and, according to his own account, was offered a full scholarship at a European art school at the age of 13 by a local dairy, an offer his parents refused on the ground that all artists were ”queer”.
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